Ulm School

UlM Design School - 1953

The vision for the Ulm School was to train a class of socially-minded designers who used modernist principles to build a new world view—one that wasn’t necessarily tied to commerce, but to democracy. At Ulm, the designer’s role was seen as integral for building a new, brighter society, inseparable from social impact. Dr. René Spitz, the Ulm School historian, wrote in 2002: “At the HfG, the social responsibility of the designer for the products he had shaped and for the people who had to use them was central.”

Though the school’s mission seems antithetical to that of consumer brands, by 1958 student groups were working directly with corporations like Herman Miller, Lufthansa, IBM, and Braun. The Argentinian designer and Ulm School leader Tomás Maldonado, a champion of system design—the same philosophy behind flat-pack, IKEA products—saw a future in mass industry. He correctly predicted the democratization of design through modernism and global capitalism.

Through a combination of expanding consumer spending power, the integration of designers and artists into industry, and advances in mass media, mid-century brands like Herman Miller came to project a lifestyle that their consumers could buy into.

“If the Ulm School were still around today, I believe their primary focus would be the architecture of invisible systems and a democratic approach to the digitalization of our daily lives.”

Today, a swoosh or an apple can evoke so much more than just a company’s name—they are symbols of how we express our values, tribes, and status. The most successful contemporary brand identities are unforgettable because they are ubiquitous and follow a strict set of systems. Nearly 70 years ago, the HfG channeled the tenants of modernism and “system design” into a radical pedagogy that has had a profound effect on global material culture, from the products we use to the systems that quietly drive us. Positioned between worlds with conflicting political agendas, the school’s visionary founders understood design’s ability to drive a global, ideological vision.

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